When this woman saw the populace assembled in the amphitheater, she placed laurel wreaths on her daughters’ heads and in their hands, and sent them out to sit on the ground in the attitude of suppliants. The Greens eyed this mute appeal with indifference; but the Blues were moved to bestow on the children an equal office, since their own animal-keeper had just died.
When these children reached the age of girlhood, their mother put them on the local stage, for they were fair to look upon; she sent them forth, however, not all at the same time, but as each one seemed to her to have reached a suitable age. Comito, indeed, had already become one of the leading hetaerae [high class prostitutes] of the day.
Masters to the theater
Theodora, the second sister, dressed in a little tunic with sleeves, like a slave girl, waited on Comito and used to follow her about carrying on her shoulders the bench on which her favored sister was wont to sit at public gatherings. Now Theodora was still too young to know the normal relation of man with maid, but consented to the unnatural violence of villainous slaves who, following their masters to the theater, employed their leisure in this infamous manner. And for some time in a brothel she suffered such misuse.
But as soon as she arrived at the age of youth, and was now ready for the world, her mother put her on the stage. Forthwith, she became a courtesan, and such as the ancient Greeks used to call a common one, at that: for she was not a flute or harp player, nor was she even trained to dance, but only gave her youth to anyone she met, in utter abandonment.
Her general favors included, of course, the actors in the theater; and in their productions she took part in the low comedy scenes. For she was very funny and a good mimic, and immediately became popular in this art. There was no shame in the girl, and no one ever saw her dismayed: no role was too scandalous for her to, accept without a blush.
She was the kind of comedienne who delights the audience by letting herself be cuffed and slapped on the cheeks, and makes them guffaw by raising her skirts to reveal to the spectators those feminine secrets here and there which custom veils from the eyes of the opposite sex.
With pretended laziness she mocked her lovers, and coquettishly adopting ever new ways of embracing, was able to keep in a constant turmoil the hearts of the sophisticated. And she did not wait to be asked by anyone she met, but on the contrary, with inviting jests and a comic flaunting of her skirts herself tempted all men who passed by, especially those who were adolescent.
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